Depending on the size of the stage, you might have a separate monitor for each musician, or in a smaller hall, just a frontline monitor for vocals and side fills (speakers placed on either side of the stage in the wings, pointing inwards) for the other musicians. Monitors are necessary so that the performers can hear each other and themselves. The stage plot is a detailed drawing of the stage showing the placement of all the backline gear, plus microphone and monitor placement. This way they can have everything you need ready so that you can just walk out on stage and play (usually after a brief soundcheck conducted earlier). In this case, it’s crucial that you communicate all your equipment needs in advance to the venue or sponsoring organization. But for the bigger shows, and especially when you must travel to perform at some far-off destination, you will likely not be carrying all your gear with you. There are times where you might bring all your own gear, such as to a local small gig. You need this complete list to communicate to Promoters and Stage Crews all equipment for the stage your group will need in order to put on a performance. All of your backline specs will ultimately go into the contract rider, which I’ll explain below. specs) for all pieces of equipment, such as make and model, speaker size and power handling capacity, drum sizes, plus any other details specific to each piece of equipment. In addition to the general description of gear needed, the backline list should include specifications (i.e. Knowledge is power and armed with the knowledge of your group’s backline needs, and how to communicate those needs to others, you will be better prepared to give a great performance. I’ll take you through all the components of the backline, as the term is commonly used, and explain how you can make a professional-looking rider and stage plot. If you weren’t sure exactly what to do, or how to do it, this article is for you. You may have heard the term backline thrown about and wondered what is a backline? Possibly, you were asked to provide a stage plot and a contract rider to stipulate your band’s backline needs to a Concert or Festival Promoter, venue, or Booking Agent. What you need to know about the backline rental business.What goes into the contract rider for backline.How to create a professional stage plot.How to determine your group’s backline needs.What is a backline and why do you need it.We will also briefly examine the backline rental business, and how to get work as a crew member for backline rental companies. You will learn to determine your group’s needs and to communicate this to your producer, client, or rental company. In today’s lesson, I’ll define the backline, tell you how to create a stage plot, and discuss what goes into the contract rider for the backline your group needs for a gig or concert. What is the backline and how do you make a stage plot?
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